Faces…and facts…fleshed out from the grave. Unprecedented technology brings to life extraordinary mirror images and powerful last impressions of history’s most powerful men. Every line, every wrinkle, every expression tells a story. Forensic-science and anthropology experts have identified that history’s most relevant figures left behind highly-detailed casts of their faces, created at their moment of death, to preserve their souls and physical memory for eternity. Using advanced facial-reconstruction techniques and 3-D imprint detailing, these death masks render an exact replica of every feature, and an intimate look at how their characteristics affected their lives. Includes startling new insights into the persistent mysteries surrounding these historic icons like Julius Caesar, Abraham Lincoln, Napoleon and George Washington, and just may reveal some secrets these men preferred to conceal.

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Life mask, from the original Houdon statue, 1785. See Hutton, Portraits…, pp. 202-3. [Box 53]

The above 3 images from the National Portrait Gallery - Washington DC

http://www.npg.si.edu/exh/travpres/lincs.htm

Learn: Wikipedia entry for Napoleon I of France

Learn: Notes on mask from “Portraits in Plaster” at Google Books

Learn: Notes on mask from “Talks in a Library…” at Google Books

More Info: Life Mask - Laurence Hutton Collection

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NAPOLEON BONAPARTE, born on August 15, 1769, at Ajaccio; died on May 5, 1821, at St. Helena. When we enumerate all the tortures and sufferings that Napoleon had to undergo and endure at Longwood for five and a half long years from October 16, 1815, we must not forget that the sufferer had not even a friendly and conscientious physician beside him in his last dying distress and agony. Dr. F. Antomarchi, a Gorsican by birth, physician at the Spedale di S. Maria nuova in Florence, Vice-Chancellor of Pisa University, went from Rome to London on the recommendation of Cardinal Fesch and Madame Mere, and thence, as Napoleon’s future physician in ordinary, he set sail for St. Helena, arriving on September 18, 1819. Although Antomarchi made careful entries in his St. Helena diary (published in 1825) regarding his treatment of Napoleon and described his relation with the great Emperor as friendly, his words are not wholly in accordance with the facts. We know from the statements of the devoted Count Montholon that up to a few months before his death Antomarchi believed Napoleon’s illness (cancer of the liver) to have been feigned; nor did he in a general way carry out his important duties with an adequate sense of responsibility. Thus he was often in Jamestown amusing himself with the officers of the English garrison when his illustrious patient had need of him. On the very day of Napoleon’s death Antomarchi took the death mask of the great Emperor after his head had been shaved, for his hair was to be sent to members of his family as a memento. As we gaze at the mask we involuntarily call Heine’s words to mind: “Napoleon was not of the stuff that kings are made of– he was of the marble from which gods are hewn”. The mask remained for the time being in Antomarchi’s possession, and is now in the Musee de 1′armee in Paris, together with other relics of Napoleon. The Musee Carnavalet has a bronze cast of the mask. Napoleon’s body, as is generally known, was transferred from St. Helena to Paris in 1840, and buried on December 15 under the dome of the Invalides. Photograph by Giraudon, Paris.

Black & White Photos and quotations from: Benkard, Ernst, & Green, Margaret (1927). Undying Faces, A Collection of Death Masks. New York, W.W. Norton & Company, Inc.

 Learn: Wikipedia entry for Duke of Reichstadt - Napoleon II of France

THE DUKE OF REICHSTADT.–”Remember that I would rather know my son to lie in the Seine than to be in the hands  of the-enemies of France. The fate of Astyanax, captured by the Greeks, has always seemed to me the saddest in history.” (Napoleon to Joseph Bonaparte, March 16, 1814.) And yet this was precisely the fate of the great Emperor’s only son, nor did he even enjoy the privilege of living among the Greeks. Napoleon Francois Joseph Charles first saw the light on March 20, 1811, in the Tuileries; even in the cradle he received the title of King of Rome. In 1814 the unhappy child was living in the castle of Schonbrunn bearing the title of Prince of Parma; from 1818 onwards every effort was made to educate this sole legitimate heir to the French imperial throne as ” the chief private person under the monarchy, with the exception of the Archdukes”, and he was made Duke of Reichstadt. On July 22, 182 2, a merciful Providence saved this piteous victim of Metternich’s policy from an even more discordant fate than he had yet experienced in his short life. The Viennese sculptor Franz Klein, whom we have already met as the maker of Beethoven’s life mask, had received permission to take the death mask of Napoleon II. Four specimens are known to exist: one, which we reproduce here, in the Musee Carnavalet, a second in possession of Prince Victor Napoleon, a third in the Musee Lorrain at Nancy, and a fourth in the Municipal Museum of Baden, near Vienna. (Edouard Wertheimer: Der Her nog von Reichstadf, Stuttgart, 1912.) Photograph by Giraudon, Paris.

Black & White Photos and quotations from: Benkard, Ernst, & Green, Margaret (1927). Undying Faces, A Collection of Death Masks. New York, W.W. Norton & Company, Inc.

Death Mask

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This mask if from Madame Tussaud.  There is no evidence that Madame Tussaud was present at her execution or that his is indeed the face of Marie Antoinette.  Please let me know if you have further information on this mask.

See:

http://www.blastmilk.com/decollete/guillotine-the-french-kiss/marie-antoinette-crown-without.php